Lt. Col. Simmons, Episode Two

I finally watched the entire appear-
ance of Lt. Col. Chris Simmons on Miami’s A Mano Limpia television program; you can watch it in five segments, here, here, here, here, and here.

You can also read his publicist’s press releases, one before his appearance, and one after. And you can watch this trailer from a forthcoming movie in which he is collaborating.

In his latest appearance, Simmons continued in his smear-artist mode. He accused three Americans of being Cuban agents, but offered no evidence, or he referred to evidence (“a transcript,” a “recently acquired confession”) that he is unable to present in public. He stuck with his practice of saying that there’s nothing unfair about his accusations, and if the accused don’t like it they can take him to court. The idea seems to be that Simmons has such authority that his statements are beyond question.

That, at any rate, is how the host Oscar Haza sees it. One again, Haza didn’t interview Simmons as much as he gently guided him through a presentation. Simmons spoke at times from prepared notes. When Haza asked a question, it was big, fat, belt-high, and right in the middle of the plate.

In previous appearances, Simmons has pointed out that he speaks for himself, and that he is a retired Army officer now serving in the reserves.

To the audience last week, it probably seemed that Simmons was speaking for the U.S. government. On the screen, the graphic says, “Lt. Col. Chris Simmons, U.S. Military Intelligence.” For all the viewers knew, his theories and the information at his disposal are all derived from his official duties, which may in fact be the case.

The U.S. government didn’t put that graphic on the screen. But one wonders what connection the intelligence community has with an officer who does media tours where he discusses Cuba’s signals intelligence capabilities or the number of Cuban agents in Florida, and where he accuses a series of American citizens of disloyal, criminal activity.

At the end of the program, Simmons promised to return to name more names.

Alejandro Armengol wrote a sharp column in the Nuevo Herald about Simmons’ appearances. It’s not kind to Simmons and its conclusions about Miami’s political culture are not pleasant; its title is “Anti-American.”

My comments on previous appearances by Simmons are here, here, and here.